ART BLAKEY

ART BLAKEY - LIVE IN SCHEVENINGEN 1958 - DOUBLE CD

Art Blakey - Live in Scheveningen - 1958 - Double CD
Art Blakey - Live in Scheveningen - 1958 - Double CD
Art Blakey - Live in Scheveningen - 1958 - Double CD
Art Blakey - Live in Scheveningen - 1958 - Double CD Art Blakey - Live in Scheveningen - 1958 - Double CD Art Blakey - Live in Scheveningen - 1958 - Double CD
Art Blakey - Live in Scheveningen - 1958 - Double CD
Art Blakey - Live in Scheveningen - 1958 - Double CD
Art Blakey - Live in Scheveningen - 1958 - Double CD

DOUBLE CD

ART BLAKEY

LIVE IN SCHEVENINGEN 1958

20,00€

CD 1

  1. Introduction by Art Blakey
  2. Moanin'
  3. Announcement by Art Blakey
  4. Along Came Betty
  5. Announcement by Art Blakey
  6. Evidence/Justice

CD 2

  1. Just by Myself
  2. Announcement by Art Blakey
  3. I Remember Clifford
  4. Announcement by Art Blakey
  5. Now Is the Time
  6. Announcement by Art Blakey
  7. Whisper Not
  8. Night in Tunisia
On the evening of November 29th 1958, on the stage of the Kurhaus in Scheveningen, when Art Blakey grabs the microphone to say "I would like to take a moment and say good evening on behalf of the Jazz Messengers and myself", everyone knows that he is living a historic moment. Pianist Bobby Timmons has just created the iconic "Moanin'" and saxophonist Benny Golson the famous "Along Came Betty", which the Jazz Messengers mix with compositions by their illustrious companions, Thelonious Monk, Charlie Parker and Dizzy Gillespie. The essence of world jazz is on stage, and is taken up again on this edition forgotten until today.

Record 1

  • Introduction by Art Blakey
  • Moanin'
  • Announcement by Art Blakey
  • Along Came Betty
  • Announcement by Art Blakey
  • Evidence/Justice

  • Record 2

  • Just by Myself
  • Announcement by Art Blakey
  • I Remember Clifford
  • Announcement by Art Blakey
  • Now Is the Time
  • Announcement by Art Blakey
  • Whisper Not
  • Night in Tunisia

    • Art Blakey, Drums
    • Lee Morgan, Trumpet
    • Benny Golson, Tenor Saxophone
    • Bobby Timmons, Piano
    • Jymie Merritt, Bass

    Recorded at the Kurhaus in Scheveningen, Netherlands, 29.XI.1958
    MONO ℗ 1958 VARA
    Remastered by ℗ & © 2018 FONDAMENTA
    Made and printed in Germany


    Remastered from the original analog tapes
    Lacquer-cuts: André Perriat
    180g 2-vinyl album
    Unnumbered second edition



    SAVOIR-FAIRE INÉGALÉ

    - Restauration Phoenix Mastering à partir des bandes
    analogiques originales
    - Digipack. Livret 24 pages
    - Fabriqué et imprimé en Europe

    DELIVERY & WARRANTY

    We ship our products worldwide with the utmost care. In the event of any damage during transport, we undertake to replace, at our exclusive expense, any products.

    Returns are accepted within 14 days of receipt of your order, however return costs are the responsibility of the customer.

    DOUBLE CD

    ART BLAKEY

    ART BLAKEY - LIVE IN SCHEVENINGEN 1958 - DOUBLE CD

    ART BLAKEY

    LIVE IN SCHEVENINGEN

    The story of this discovery

    “A few months after having discovered the recordings of Ella Fitzgerald, Oscar Peterson and Bill Evans, we decided to return to the Netherlands to deepen our research. During this second trip, we found this incredible recording by Art Blakey in 1958. The recording was old old and we feared the sound quality wouldn't be great. We were wrong: the sound take was a model of its kind and Moanin' seemed to be the greatest version ever recorded! We are very proud of the restoration work accomplished on this now legendary album”

    Frédéric D'ORIA-NICOLAS
    Musical treasure seeker

    Jazz Magazine

    "This particularly ephemeral formation of the Jazz Messengers, led by Benny Golson, is for some, simply the best. Never before has the group achieved this balance between passion, elegance and swing, this ideal between freedom and sophistication. And it will never find again totally this osmosis afterwards. A superbly restored album. Not to be missed. For any reasons."

    "Art was an original. He’s the only drummer whose time I recognize immediately. And his signature style was amazing; we used to call him ‘Thunder.’ When I first met him on 52d Street in 1944, he already had the polyrhythmic thing down. Art was perhaps the best at maintaining independence with all four limbs. He was doing it before anybody was." Max Roach

    Unrivaled audiophile know-how.

    2 year warranty by The Lost Recordings

    After-sales service that listens to music lovers

    Worldwide delivery with home tracking

    OUR HAPPY MUSIC LOVERS

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